Our classes

Subjects Teachers
Jazz repertoire singing Garsia Lucia
Jazz repertoire singing Avellone Carmen
Flaute Garlisi Lavinia
Saxophone Giambruno Claudio
Trumpet Faro Riina
Trumpet Calderone Giovanni
Trombone Pizzurro Salvatore
Trombone Nania Salvatore
Jazz/contemporary Guitar La Mantia Mimmo Girolamo
Blues Guitar Porcaro Umberto
Rock Guitar Avellone Massimo
Jazz Guitar Sergio Manufò
Piano Garsia Giuseppe
Jazz Piano Spitaleri Diego
Jazz Piano Conte Giovanni
Jazz Piano Preiti Giuseppe
Contrabass / Electric bass Costa Giuseppe
Drums Madonia Giuseppe
Drums Giambanco Fabrizio
Drums Paolo Vicari
History and guided listening of 20th century music Razete Luigi
Diction, phonetics and presentation techniques Girgenti Marco
Show Business Marketing Management Fabio Lannino
B1 English Minafò Rosanna
Singing class’ pianist assistant Grillo Marco
Orchestral practice and big band Riina Domenico

Destination

The basic courses are open to every one with no limits regarding to age and level of instructione. To attend the classes it is not necessary to have a musical preparation.

Information and inscription norms of the “Scuola Popolare di Musica” basic courses

BASIC COURSES

Provide the study of three obligatory musical disciplines and the frequence of three hours per week according to the following package:

Instrument: principal microcollective discipline (one hour per week);
Singing: Jazz Repertoire and vocal technique
Solfeggio and ear training: complementary collective discipline (an hour per week)
Guided listening and music history of 20th century: complementary collective discipline (an hour per week)
Laboratories: The adhesion to the laboratories in basic courses is a free choice of the student. Each student, after consultation and evaluation of the teacher can attend to one or more facultative laboratories in addiction to the courses of the package.

The study plan for the basic courses is marked by three levels. On the basis of simple access tests, which will be made under  the care of the teacher, the student will be assigned to one of the three levels.

Once the school year ends, a level passage will eventually happen and it will be determined by the mastery of the student of some requirements illustrated in the programs of the various courses. The passage from a lesser level to the following one does not happen by seniority of frequentation but is based on the matured abilities.

Once the study cycle ends, and the school program is completed, to the student will be released a certificate of attendance which certifies its gained musical skills.

SPERIMENTAL BASIC COURSES

They involve the study of three obligatory musical subjects and the three hours of frequentation a week following this package:

Instrument: microcollective main subject (one hour a week)
Solfeggio and ear training: complementary collective subject (one hour a week)
Guided listening and musical history of the 20th century: complementary collective subject (an hour a week)
Laboratories: The adhesion to the workshop in basic subjects is a free choice. Each student after being suggested and evaluated by an istrument teacher will be able to attend one or several optional workshops in addition to the subjects of the package.

The study plan of the subjects is marked by some basic courses in three levels. On the basis of simple access tests, which will take place under the care of the teacher of the chosen subject of the student which will be assigned to one of the three levels.

At the ending of the school year, the passage of level will eventually happen which will be determined by the student possession of knowledge and skills, of requirements which are d in the programs of the various study subjects. The passage from a lesser level to the following one doesn’t happen by seniority of frequentation, but on the basis of matured skills.

Once the study cycle ends, and the school program is completed, to the student will be released a certificate of attendance which certifies its gained musical skills.

SUBJECTS PROGRAMS

MAIN SUBJECTS

Singing and vocal technique
Flute
Trumpet
Jazz guitar
Piano
Jazz piano
Accordion
Keyboard instruments and computer music
Electric bass
Drums

COMPLEMENTARY SUBJECTS

Theory, solfeggio, ear training and armony
History and guided listening of jazz and 20th century music

COLLECTIVE WORKSHOPS

Pop Music Ensemble by Fabio Lannino – assisted by the masters Porcaro and Preiti
Orchestral exercises
Choral exercises
Improvisation technique

Destination

Professional courses are meant for to those who already mastered the contents of the basic courses or those who have special musical abilities, which will be evaluated in an admission test.

STUDY PLAN
Professional courses provide these obligatory musical classes, for a total of six hours a week following this package:
Instrument: main personal subject (two hours a week);
Solfeggio and ear training: complementary micro–collective subject (a maximum of four persons for each class, an hour a week)
Guided listenning and 20th century music history: complementary collective subject (an hour a week)
Ensemble music: collective subject (an hour a week)
Harmony, Jazz and improvisation technique: collective subject (an hour a week)
Optional Labortories: Orchestral Laboratories, Arrangement and jazz orchestration

The study plan is defined in three levels. An admission test will determine to which level the student will be.
At the end of the school year, the student will eventually pass to the next level if he has the required abilities to pass.
At the end of the course of studies, the student will have a certificate of attendance.

CLASSES PROGRAM

MAIN CLASSES

Vocal technique and singing
Saxophones
Trumpet
Guitar
Jazz Guitar
Piano
Jazz Piano
Accordion
Electric Bass
Drums

COMPLEMENTARY CLASSES

Theory, solfeggio, ear training and harmony
History and guided listening of jazz and 20th century music

COLLECTIVE LABORATORIES

Ensemble music (for singers and instrumentalists)
Orchestral practice
Improvisation technique

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